It looked so f*ucking real and, Justin looked like he was in REAL pain when Brian penetrated him. While not technically a movie, the popular US version of the UK drama revolving around the lives of a group of gay friends deserves an honorable mention.Ĭomment: “Justin and Brian’s first sex scene on Queer As Folk. Rather realistic for 2 straight Brazilian actors” - submitted by John DoeĪ 2000 French-Beligian romantic drama depicting a stormy holiday romance between two teens and what remains of that relationship eighteen months later.Ĭomment: “French film” - submitted by John Doe. ![]() Aluizio Abranches’s 2009 Brazilian drama focuses on two brothers who become lovers.Ĭomment: “Has very good romantic scenes.
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![]() ![]() It’s so unjustly obscure that even Reed’s very worthy New York Times obituary failed to mention it. Reed’s journalistic contribution to queer history, conversely, remains unknown to most Americans. would join the next two Selma to Montgomery marches alongside the young activist John Lewis. Roy Reed’s special report of Bloody Sunday at Selma would ignite sympathy for Black Freedom causes and help speed political passage of the 1965 Voting Rights Act. Clark, who complained of death threats on himself and his family by “Negro extremist groups.” In his front-page Times story of the ensuing carnage, known as Bloody Sunday, Reed boldly wrote of white troopers who “tore through column of Negro demonstrators with tear gas, nightsticks and whips.” The New Orleans Times-Picayune, by comparison, paired newswire coverage of the Selma attack with a sympathetic story of offending lawman Sheriff James G. The late journalist and New Orleans resident Roy Reed, who passed away in 2017, is perhaps best known for his enterprising Civil Rights-era coverage in The New York Times, including a March 1965 attack of state troopers on unarmed marchers in Selma, Alabama at the Edmund Pettus Bridge. |
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